Video Games 25 Years Ago

I’ve been long of the opinion that videogames really made a giant leap in evolution in the late 90s. There are many games from the early 90s and even mid 90s that are still very well remembered as amazing classics, but I feel that these are games that you can really only enjoy through nostalgia. Just a few years later these had already aged rather poorly and already felt dated at the start of the 2000s. But something changed significantly later in the decade. True 3D graphics being of course a massive milestone that allowed for completely new forms of gameplay, but it seems that at the same time computers also became able to handle a much wider range of colors, allowing for more interesting textures and at least the illusion of lighting that wasn’t completely flat. There also came to be more things on the screen at the same time, which also impact the experience. But I think there also happened to be a giant leap in storytelling, which I think might be just as important as the introduction of 3D engines, and affected also games that still continued to use 2D graphics.

Here’s a few select game that just passed the 25 year mark recently.

  • Duke Nukem 3D: 29 January 1996
  • Resident Evil: 22 March 1996
  • Quake: 22 June 1996
  • Super Mario 64: 23 June 1996
  • Tomb Raider: 25 October 1996
  • C&C: Red Alert: 22 November 1996
  • Diablo: 3 January 1997
  • Final Fantasy 7: 31 January 1997
  • Castlevania: Symphony of the Night: 20 March 1997
  • Star Fox 64: 27 April 1997
  • Dungeon Keeper: 26 June 1997
  • GoldenEye 64: 27 August 1997

Yes, all these games are old as hell, in many ways just as clunky to play, and their graphics look like garbage. But compared to games that came out just before or even many that came out at the same time, these were stunning  leaps forward. And more importantly, these are games that I think would still be a lot of fun for people who started played videogames only many years later, or who might not even have been born yet when these came out.

There are numerous older games that are historically just as significant and that can still be appreciated for their accomplishments. But I think the enjoyment people get from those is more of an academic interest. In 1997, we see the start of a transformation that is just as big as the leap from say Metropolis to Casablanca. Works from before are historic artifacts, but those made after the shift are simply old, but still works of the kind we enjoy today.

Not even a Review: Elite Dangerous

Haven’t reviewed anything for a while. This will barely qualify as a review because I don’t feel like putting a lot of work and efffort into it.

Just like the developers of Elite Dangerous.

This is a game in which you have a startship that you can upgrade with better modules to increase its stats, and you can fly to millions of stars where you can dock at space stations to pick up cargo to drop off at other space stations, collect rocks from asteroids to drop off at space stations, or get into fights with endless numbers of space pirates. Transporting cargo is no challenge, mining asteroids is slow and tedious, and ships handle very poorly in battle.

About 2 hours into the game, I was getting the impression that I’ve seen everything the game has to offer, just copy pasted and randomized over millions of star systems. Some 30 hours later, I now think that early impression was right. Yes, there are various kinds of things that you “can do”, but none of them are fun. And all you get is money to buy ships with better base stats and upgrade that provide better stat boosts. This lets you carry more cargo between stations to make more money, and I guess will make mining and combat less tedious, but then what? I’m a huge fan of Subnautica and Kenshi, two games without real plot or quests, where all you do is to go to new areas to find construction plans and materials to build new equipment. But in those games, new areas are different kinds of environments where you can find new things that create new interactions. In Elite Dangerous, every system is basically the same. In those good games, new equipment allows you to do new things. In Elite Dangerous, they only make the game less tedious.

I’m only some 30 hours into a game that some people have played for thousands, so I’ve not seen all of it. But that’s another crime of the game. It does nothing to indicate that there is anything more to reach later. Nothing that suggests the 500th hour will be different than the 5th. And it’s really bad at explaining its mechanics. You need to look up how some things work, and often people in forums say something to the effect of “yeah, the in-game text is wrong”.

Elite Dangerous is a game where I would say it’s quite an achievement if it was made by four friends in the their spare time over three years. But as an MMO? This is awful. It has average ratings slightly below 80%, but I think that is overrated. 80% generally means “good”. This game isn’t. User scores of 65% seem more appropriate. Because that includes thousands of people who actually love it. I don’t. I would give it a rating of “poor”. There’s just nothing about the game that is fun.

Oh, and also the setting is the most bland sci-fi world imaginable. I don’t think you could make a setting more generic and flavorless if you tried.


I’ve recently mentioned Kenshi a couple of times as a big inspiration for what an RPG sandbox can be and various new quirky elements I’ve added to Planet Kaendor. Kenshi is a sandbox survival city builder RPG videogame (that is: defies typical genre classifications) that was released a few years ago after 12 years of work by mostly one guy, who just wanted to make a little videogame that he thought was fun. Which is why it looks like 20 year old game.

I’ve been wanting to write a proper article about this game for a while, but really explaining what the game is and what makes it such a great and unique experience would be quite an undertaking and I don’t even know how to begin. So I’ve decided to simply link the 30 minute video that first introduced me to Kenshi and let it speak for itself. Anything I could bash on my keyboard would still fall way behind it.

Though now that I think of it, I might actually have watched this only after the hilarious SsethTzeentach video, which has a somewhat different presentation but still portrays the game accurately.

While it’s not D&D and not even fantasy, and it doesn’t have classes or XP, I think Kenshi is by far the closest thing I’ve yet seen to oldschool sandbox D&D translated into videogames.

Some random braging

The Settlers II was one of my favorite games when I first started playing videogames as a 12-year old. And now I’ve finally beaten it, over 20 years later!

The whole thing took me about 80 hours over a whole month, and somewhat strangely I can conclude that it’s not a very interesting game anymore and I really don’t recommend it to anyone. This effort was done entirely based on nostalgia. But still. Beat it!

I’ve started to love the Darkest Dungeon

When I first got Darkest Dungeon about a year ago, I had a really hard time with it. I’m the kind of player who never uses potions and hoards all the money because “I might really need them later”. And then never using any of them even in the final fight. This became a big problem and led to me getting almost completely stuck. When I tried to get back into the game, I went to look up for advice on how to really play the game, and I learned two very important lessons. “Don’t waste money by trying to make all your characters recover immediately after a run.” I always spend almost all my money on recovery. “The most important thing is to use all your money to upgrade skills and equipment.” I never put any resources into unlocking equipment or any money into buying equipment. My reasoning was that any weapons and armor I bought would be lost when that character dies and all the money wasted. And this is the kind where it’s “when the character dies” and not “if the character dies”. But it seems leveling up a character does not actually increase the stats, or at least not in any substenntial ways. Increasing stats is done through upgrading weapons and armor. So yeah, I was trying to play the whole game with effectively level 0 characters. It explains a lot. Now that I learned my mistake I actually managed to defeat my first boss in week 81 and it’s all been so much easier from there.

Now that I am no longer treading in place, I got the chance to finally fully enjoy the things other than the combat that the game has to offer. It’s actually a fairly simple game without any plot. I think you could describe it as somewhere halfway between X-Com and Rogue. Pick your team of four characters from your barrack and send them into a dungeon to get money to buy upgrades and level them up, while every so often some of them die and have to be replaced with new recruits. Until at some point you can form a party powerful enough to beat the Darkest Dungeon. But a lot of praised has been heaped on the game for its presentation and I think it’s entirely justified. It looks great, and it sounds great, and it actually has some very interesting worldbuilding going on. This game does not have “lore” in any way that I have discovered yet like an Elder Scrolls or Dark Souls game for example. There is no history, no characters, no places, and things like that. Instead it has the kind of worldbuilding that consists of consistent repeating imagery and symbols, and various simple rules of what is what in this world. It’s not even terribly original. It’s basically Lovecraftian Gothic Horror. But the way it’s put together is very appealing to me. There is very little substance, but it’s all so evocative that it forms into something much bigger in my mind that keeps me deeply engaged.

The first story I want to share is that of Stafford Jr. After my first couple of runs through the dungeons, I recruited my first character of the Leper class. Who happened to be named Stafford. The leper is perhaps the most one dimensional class in the game. He hits really hard with his big sword and seems to have high resistances, but can’t do much else and doesn’t even hit very consistently. But when he hits, it’s massive. I really liked having Stafford in my team but unfortunately he was in my first group that got completely wiped out in an attempt to fight a boss. Every single one of them died, and it was such a grueling and epic fight that Stafford was done in by a heart attack from massive stress. It was awesome, but also sad. So when I recruited a new leper a bit later, I gave him the same brass and red armor style and renamed him to Stafford Jr. Stafford Jr. ended up becoming even cooler than his predecessor. From his descends into the maddening dungeons he gained a couple of quirks. First he decided that he would refuse any kind of stress recovery except for praying at the chappel. He also started to believe that he is possessed by demons that make him touch strange and highly dangerous things the party finds in the dungeons. It’s all randomly generated and was in no way planned by the developers. But it just so happened. A man in a decaying body covered in brass armor, who carries a massive swords and spends a lot of time in prayer at a church because he’s convinced he is possessed by demons. I normally very much support the advice that you shouldn’t put any of your characters from games into your stories, but I know I just have to use Stafford Jr. in some way.

Another thing I love about the game is the Occultist, which is perhaps my favorite type of wizard I’ve ever seen in a game. An occultist was one of the very first characters I recruited in addition to my starting crusader and highwayman and I stil have him around as one of my highest level characters. Unfortunately he has a strange name that I don’t recall right now. The best thing about him, as I said, are his spells. I primarily use him as a secondary healer, using his wyrd reconstruction spell. Perhaps the oddest but also most awesome healing spell I’ve ever seen. Any time it is used, it heals between 0 to 13 points of damage, and in addition the target has a chance to suffer a bleed effect, regardless of the result. This is interesting because all his other powers consists of cursed and summoning tentacles that attack your enemies. There is no lore about this power, but it’s clearly implied that there’s some kind of barely controlled body horror going on. It can end up not healing any damage at all and even causing additional damage through bleeding, but it also has the potential to heal a lot more damage than the healing of a priestess. Or it heals a lot of damage and also causes continuing bleeding at the same time. This kind of implied worldbuilding really works for me.

Similar things are going on with the environments and enemies. Again, the enemies are nothing really that new. There are a lot of skeletons, bandits, and various tentacled thing, and then there are also various typed of humanoid pigs, which are encountered on runs into the Warrens, one of the four main dungeon types in the game. There’s also a normal dungeon with mostly undead, a creepy forest with bandits and mushroom men, and a watery cave with fish men and various sea creatures. Where the narrator once gave this awesome line after I successfully finished a run.

At last, wholesome marine life can flourish – if indeed there is such a thing.

This game knows where it’s roots and inspirations lie. But I find the warrens to be the most intriguing ones as the implied worldbuilding goes. Visually it’s a generic dungeon, but the majority of enemies you encounter are pig men. And the entire time you’re there, you can faintly hear them squealing in the distance. Dozens of them, maybe hundreds. Al ready a good start, but then I noticed this line from the narrator at the start of exploration missions.

To prosecute our war against the Swine, we must first scout their squalid homes.

“War against the swine”. As far as I am aware, this is only a throwaway line with no narrative meaning. But I find it really evocative. The raids into the dungeon are a war? Somehow this makes me imagine a really different type of background story than a simple dungeon crawl to get loot and level up. It’s such a tiny thing, but it implies a much bigger and detailed world than there really is. Which I don’t consider cheating at all, but as a fan of horror techniques as really very elegant design. What you feel that probably should be there is always much more fascinating than anything you could ever actually spell out. Darkest Dungeon is really good at that, or at the very least it really manages to put out just the right hints that get my own imagination racing.