It’s a webcomic about a mighty warrior and his brave steed. I really don’t have much more to say about it. ^^
Stealer of Flesh is a… well, I am not exactly sure what it is. It’s not quite a novel, nor quite a series of short stories, but something inbetween. Written by William King in 2011, Stealer of Flesh tells the first major adventure of Kormak, a Guardian of the Order of the Dawn who hunts the ancient creatures of the night. It consists of four stories that are very closely linked together but each have their own distinct character and take place in four very different locations. Calling them “episodes” feels very appropriate to me.
The story follows Kormaks hunt of a demon from the ancient past, who has returned to haunt the world, but is yet too weak to face a seasoned hunter of monsters and spirits all by himself. Several times does Kormak come face to face with the demon, but each time it manages to escape from him, keeping the hunt going for what seems like several weeks, though three of the stories all seem to take place within a single day.
King obviously is writing to capture the classic spirit of Sword & Sorcery. The stories are full with mentions of the Elder Sign and Old Ones, there is black lotus and Kormaks homeland is distant Aquilea, which surly doesn’t sound almost exactly like Aquilonia by coincidence. And to disperse any remaining uncertainty, King explicitly lists Howard, Moorcock, Leiber, and Smith as the people who inspired him in his introduction. You couldn’t make a stronger commitment to the genre than this. Which is why I think it entirely appropriate to not only judge Stealer of Flesh on its own merrits, but also on how well it manages to capture the spirit of the genre.
I frequently see people complaining that they can’t get their novels to proper length and that their ideas don’t provide enough material for 200,000 words. Then why try to make them into novels in the first place? It’s not the only option fantasy writers have to chose their format. In the Sword & Sorcery genre, stories tend to be much shorter, instead you simply get more of them.
As references, here are the works of some of the great Sword & Sorcery writers and their lengths.
Conan by Robert Howard:
- The Phoenix on the Sword: 8,823
- The Scarlet Citadel: 15,446
- The Tower of the Elephant: 9,726
- Black Colossus: 14,346
- The Slithering Shadow: 12,897
- The Pool of the Black One: 11,252
- Rogues in the House: 9,676
- The Frost Giant’s Daughter: 3,284
- Iron Shadows in the Moon: 12,123
- Queen of the Black Coast: 11,334
- The Devil in Iron: 12,292
- The People of the Black Circle: 30,890
- A Witch Shall be Born: 16,337
- Jewels of Gwahlur: 17,167
- Beyond the Black River: 21,799
- Shadows in Zamboula: 12,146
- The Hour of the Dragon: 72,375
- Red Nails: 30,946
Fafhrd and the Gray Mouser by Fritz Leiber:
- The Jewels in the Forest: 14,215
- The Bleak Shore: 4,272
- The Howling Tower: 5,855
- The Sunken Land: 6,900
- Thieves’ House: 12,235
- Adept’s Gambit: 31,901
- Claws from the Night: 9,410
- The Seven Black Priests: 9,523
- Lean Times in Lankhmar: 15,400
- When the Sea-King’s away: 9,806
- The Cloud of Hate: 4,929
- Bazaar of the Bizarre: 9,653
- Their Mistress, the Sea: 1,316
- The Wrong Beach: 2,267
- The Circle Curse: 3,596
- The Price of Pain-Ease: 4,650
Sword & Mythos is anthology of stories released this year by Innsmouth Free Press. The ebook version had cost me only about 4€, which I consider fairly cheap. The introduction describes the concept behind the collection as “Lovecraft meets Howard and Moorcock” and there is an additional essay in the end of the book that shines some light on the relationship between Lovecraft and Howard and how they put occasional nods to each others works in their stories. The Primeval Thule RPG setting which I bought just a few weeks ago is based on the same premise of the works of these two great writers being set in the same world and the result works brilliantly. I am big fan of the short story format, especially in its pulp era incarnation (so much easier to digest with ADD than huge multi-volume novels that take you weeks to finish), with both Howard and Lovecraft being among my favorite writers. As a huge fan of Sword & Sorcery, the idea of S&S with lovecraftian horrors had me very excited. The Scarlet Citadel and Iron Shadows in the Moon are probably my two favorite fantasy stories.
So just the title of this collection had me excited and the cover looks really exciting and promising. Unfortunately, this cover lies. The Chinese warrior woman does not appear in any of the stories. Neither does the monster. Nor Sword, nor Mythos to tell the truth. If I simply had picked up the wrong book and misunderstood what I was buying, I might see things more lenient. But this book makes it very clear both in the introduction and the essays, that this is meant to be a collection of stories that blend the Sword & Sorcery of Howard with the cosmic horror of Lovecraft. And it just doesn’t deliver that at all!
Dark Times at the Midnight Market by Robert Silverberg: This story is about the tiny Vroor magician Ghambivole Zwoll, a creature with a beak and tentacles, and his business partner Shostik-Willeron, a two-headed Su-Suheris, whose magic shop has fallen on hard times as the world has become so overcrowded by magic that there is simply no more profit in it. An opportunity arises when a nobleman comes to their shop to buy a love potion, which ends up getting them into deep trouble. Robert Silverberg can write, that much I have to give him, and he might do quite well in writing for his familiar genres. But this story does have absolutely nothing to do with Sword & Sorcery. That this one was even submitted as a contribution to this book already indicates a failure on the side of the publisher, who apparently wasn’t even able to set any clear submission guidelines.
The Undefiled by Greg Keyes: I was really hoping the stories would get better the longer I keep reading, but instead it is only getting worse. By absolutely any standard I can apply, this story is just shit! The protagonist is called Fool Wolf, and always in this full form, never shortened to either Fool or Wolf. Apparently he is possessed by his girlfriend, who he raped to death in a berserker rage or something. There is no context at all, not even the slightest indication that locations are shifting, and there, and nothing makes any sense. Later on it is revealed that one of the groups extends its life by raping little children, and then somehow they are dead and the story stops. This is shit! Please don’t write anything again.
Since I have given up hope on this book, I am going to wrap up this review by quickly summarising what the remaining stories are about:
A Suitable Present for a Sorcerous Puppet by Garth Nix: This short story is about a knight who is in hospital with a broken foot who is looking for a presen for his bodyguard golems birthday. There is not a single good thing to say about it.
Red Pearls by Michael Moorcock: Finally! Finally we are getting someone who really knows what he is doing and who actually understands the genre of this book! The story is about Moorcocks famous character Elric, of whom I actually only know that he is some kind of superhuman with a really powerful sword. Elric is traveling with his companions to the underside of his world for reasons only he really knows and, what appears to be his typical fashion, doesn’t share with anyone else. As they reach the port at the end of the sea voyage, Elric is already awaited by a woman who shares his highly unusual physical appearance. Elric has come for a magic sword, but in exchange he has to find a pair of red pearls.
It’s really obvious that Moorcock has writing stories like this for a long time and both understands what is expected and what he has doing. Pacing is good and he’s making the effort of actually describing things and not leaving the characters and the reader in a blank vacuum. This is the first story since the very first in the book that has actual action scenes and even incorporates sorcery at the same time. Which I had expected from all the previous seven stories as well! The presentation of this story is very well done. Unfortunately, the actual plot isn’t that interesting either.
The Deification of Dal Bamore by Tim Lebbon: This story is about a priestess of an all-powerful church who is transporting a rebell leader to his public execution when the procession is attacked by his supporters. While the style of the story is really quite effective at creating tension and a rich atmosphere, the author made the unusual descision to write everything in present tense, which feels particularly strange as half the story is told in flashbacks, which just feels like a very odd combination. A major element of the story is that the priestess believes the prisoner must be kept alive until his execution under any circumstances, but only until the very end do we get kind of an explaination why that would be important. Her soldiers don’t understand either and I think it’s not a great device to keep important details secret from the reader even though the entire story is narrated from inside the priestesses thoughts, who seems to be the only person who knows what’s actually going on. Despite its shortcomings, I think this is still actually one of the most exciting stories in the book and even though it barely checks any of the boxes of the genre, it seem still like a worthy contribution to this collection. (And far more so than mosy of the other ones.)