Category Archives: movies

My Star Wars Headcanon

While writing about the Star Wars games that I played, I noticed that almost all of them are pretty old by now. So I got to work to create some kind of timeline of what I consider the important books, comics, and games of the Expanded Universe and the result I got is this.

You can get the 90s Kid out of the 90s, but you can’t get the 90s out of the 90s Kid. It really seems like the golden age of Star Wars to me, which is not terribly surprising given how old I was then. If I would have been into anything else, I probably would still vonsider the 90s to be the best period it ever had.

Another thing that surprised me in hindsight that there were six years between the release of Episode 1 and Episode 3. Such restraint! It almost seems like they were making those movies one at at time. Which seems incredibly slow by today’s standards. At least I got to be relieved that the time between 3 and 7 was not nearly as long as the time between 6 and 1, which by this point would no longer have surprised me. Still, in trade school I have classmates who were not even born when Episode 1 was out.

I just gave up on the new Star Wars

For me, the last two Star Wars movies rank at the very bottom together with Episode 2, all below Episode 1. But I was still having some hope that Rogue One was meant as a quick cash grab (which the Han Solo movie seems to follow) and that Episode 8 could finally turn things around with Jeffrey Abrams being gone.

But I just learned that Abrams will be back for Episode 9. So whatever good might come out of 8 will all become irrelevant anyway.

Thanks, but no. I gave this new series two tries and I just can’t get myself to care.

My favorite style of fiction I never knew I had

Having recently seen Drive and looking around for interpretations about it, I came upon a term that I had never really paid much attention to.

Neo-Noir.

What is Neo-Noir? It really is pretty much the same as Noir except that it’s used for works made from the 80s forward instead of up to the 60s. Other good recent examples are basically the whole Nolan movie catalogue, with Inception and The Dark Knight standing out prominently. (Memento and Insomnia also really look like it, but I have not seen them yet.)

Inception is my second favorite movie of all time, beaten only by The Empire Strikes Back. And when you stop and think about it, that movie also has Noir aesthetics all over it. Pretty much everything happening in Cloud City is prime Noir material.

Looking back at it, the first works of this style that I really fell in love with were Blade Runner and Ghost in the Shell (including the TV series). Of course, you could argue that these are perhaps the two biggest cyberpunk movies ever made. But what is cyberpunk other than Noir with futuristic elements?

Which reminded me of Mirror’s Edge, one of my favorite videogames that I’ve always been thinking of as “cyberpunk without the futuristic elements”. Yeah, once you consider Neo-Noir to be a distinct category, it falls perfectly into it. The socially isolated protagonist living in a blurry gray world on the edge of legality. Characters looking for meaning in a heartless world and coming to bleak realizations about their own lives. And they hang out in a place that looks like this.

And suddenly it all came together: Mass Effect 2 is also a work of Neo Noir. The first game had already blown my mind, but I was amazed when I came out to the street on Omega. And never had a game felt so perfect as when I first stepped through the door into Afterlife. It is my favorite game of all time, with no contenders.

After the really cool opening and time jump, the game starts with the Illusive Man smoking in a dark room with his Femme Fatale henchwoman Miranda next to him. I could write a whole article about that. (And I probably will, eventually.)

It might be a bit of a stretch, but I feel that there are at least a great deal of thematic elements of Noir in the Witcher books. The world went to crap, there’s no justice, characters with questionable morales are trying to do the right thing when dealing with those who are morally bancrupt, and there’s always a slight doubt that maybe everyone getting conquered by the Empire might not be the worst idea. And while it would probably be a bit nonsensical to call Bound by Flame a noir fantasy game, the mood of dignified despair is certainly there.

Bonus content: All my favorite episodes of Star Trek: Deep Space Nine. You know, basically everything with Garak in it. (The Wire, Improbable Cause/The Die is cast, and In Pale Moonlight stand out.)

It comes as a bit of a surprise after all these years that there’s an umbrella term that encompasses pretty much my entire top list of greatest works of fiction ever made. But then, many of the works I mentioned are considered to be really great by a lot of people around the world, so it’s not like this is a style that hasn’t proven itself over the past decades. The period of their making also started just before I was born, which probably isn’t a coincidence either. It’s a style that I’ve been exposed to all my life. While the aesthetics of Noir and Neo-Noir are generally pretty easy to pin down, definitions of the genre are usually rather blurred and unclear. Yet at the same time, works tend to fall into a pretty narrow band of stories. Socially isolated protagonists who are living with one foot in prison and one foot in the grave whose lives have become empty and who are searching for any kind of meaning in their seemingly bleak worlds. Sometimes they catch a faint glimer of hope they can pursue, other times they doom themselves.

Questions about identity and filling an inherently meaningless existence with meaning are the basic foundations of Existentialism, which to me is really the only thing worth exploring in a story. I’ve been watching, reading, and playing stories of this type for all of my adult life and so I probably already do know most of what there is to know about it on an intuitive level. But as someone interesting in writing my own stories this seems like a great opportunity to refocusing my research.

Update: Some more that I totally forgot and didn’t think about: Hellboy, Thief, The Big Lebowsky, Leon the Professional, True Detective, Breaking Bad. I think it’s probably much harder for me to come up with a list of movies, videogames, and TV shows that don’t have a strong Neo-Noir aesthetic.

Two decades ago, on a tiny TV in a city not far away

It’s May the Fourth, and not just any 4. May. 40 years ago, in May 1977, Star Wars was first released in theatres. The public had not seen it yet, but it already existed and the hype was already on.

For me, it’s also my 22nd May the Fourth. As far as I am able to piece it together, it was some time in spring 1995, around my 11th birthday, when I had just moved to a new city and went to Hamburg to visit a friend from my old class for a weekend. I remember quite well how my dad dropped my off at the train station where I got picked up by my friend and his mother. But before we drove to his home, we still had to go to the department store across the street because my friend wanted to buy a toy. It was a pretty weird looking toy and in the car I asked my friend what it was. His reaction was pretty much “Dude, you’ve never heard about Star Wars?!”

From what he told me it sounded quite interesting and once we got home he went to show me his collection of Star Wars toys. All the times I had been to his place before after school we mostly played Super Nintendo. And all those little weird figures looked really cool and we ended up playing with them the whole afternoon. And eventually he asked his mom if we could watch Star Wars on video in the evening. Which we did!

I can still quite well remember the room with the small TV that probably wasn’t bigger than 15″. I think I was quite excited by that point and from the moment that Star Destroyer thundered on the screen nothing would ever be the same. I was hooked. Instantly. I’ve known fairy tales and The Hobbit all my life and I can’t even remember a time when we didn’t watch Star Trek practically every day. But this was something completely different. It was simply awesome. In every sense of the word. When it was over I was thrilled and so we just went on watching The Empire Strikes Back right after it. I don’t think we asked if we were allowed to watch videos that late. The next morning we watched The Return of the Jedi and the rest of saturday and sunday morning was all Star Wars.

That same year I finished elementary school and in my next new class I made a new friend who also loved Star Wars. And his dad had a computer but was at work during the day. And on that computer we played X-Wing. A lot! I think for months we spend at least one afternoon after school per week at his place and a lot of that was playing X-Wing. When we got out own first computer, X-Wing was the first game I had to get. And then Tie Fighter.

And then came 1997. Star Wars was rereleased in cinemas. Of course we had to go. My dad thought it was okay. My mother quite liked it. And my brother was just as blown away by it as I was. Then we got it on video as well. And here I am, still gushing about it 20 years later. I can safely say that Star Wars changed my life. I liked Star Trek before and fantastical childrens books, but seeing Star Wars on that little crappy TV on the floor opened up a whole new world for me and came to define my imagination and passions. I am as much a fan of Star wars as one can possibly get before it becomes embarassing. To this day The Empire Strikes Back is my favorite movie ever and all creative work I do is filtered through that movie. This website exist because of it. All because of that little blue and white plastic trash can.

Heroes of Hope

Joseph Manola has made a good case for approaching the style of Romantic Fantasy as something broader than only the settings of “Pladins & Princesses” that takes a central part in the Blue Rose RPG. I only learned a month ago that he’s been working on his Against the Wicked City setting for over a year, which like my own work on the Old World has been greatly inspired by the ideas and concepts of Romantic Fantasy. And apparently it seems that we both idepently decided on very similar tones and priorities. But the term is highly problematic. For a game like Blue Rose the association with love stories works in their favor, but the 20th century use of “romance” has replaced it’s previous use so thoroughly that you can’t really untangle it anymore. (Previously romance meant pretty much the same thing we call fantasy today.) It’s rare to find mention of Planetary Romance these days, but you might have a vague idea what to expect from Sword & Planet fiction. I think there has to be a better way to describe the broader concept that won’t make most fantasy fans “eww… is this kissing stories?”.

There is currently a thread going on on rpg.net, and while my favorite is High Valor, Hope & Heroism seems to be one of the more popular proposals. Which I think has a quite nice ring to it, is easily identified as a name for a style of fantasy, and I think it includes the essential qualities right in the title, just like Sword & Sorcery. If you never heard it (which you won’t, because we just made it up) you probably still get a good idea what it would stand for.

"I wish to see with eyes unclouded."

“I wish to see with eyes unclouded.”

Metal-Gear-Solid-Snake

“I am no hero. Never was; never will be. I’m just an old killer hired to do some wetwork. All the heroes I know are either dead, or in prison.”

"Butt kicking for goodness!"

“Butt kicking for goodness!”

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“Too many men have died at its edge. It may look pure… , but only because blood washes so easily from its blade. “

obi-wan-kenobi

“For over a thousand generations, the Jedi knights were the guardians of peace and justice in the old Republic… before the dark times… before the empire.”

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"... and engage in jolly cooperation!"

“… and engage in jolly cooperation!”

"We were meant to be incorruptible, above reproach. How seldom does reality match the ideal."

“We were meant to be incorruptible, above reproach. How seldom does reality match the ideal.”

I hope this will dispel any notion that this is Wusses & Woobies. Badassery is not mandatory to personify the ideals of hope and heroism, but I think it certainly helps.

First thoughts on Star Wars 7

As part of our now regular christmas tradition of seeing a movie with the family the day after christmas, we’ve been to watching the new Star Wars movie today. There’s a big and pretty nice theater just a few hundred meters down the road from my parent’s house and this time of the year there’s always something we all want to watch. I had decided pretty early on that I am not going to see the movie on my own, but if my family wants to see it I’d been happy to go along with it. I’ll keept this review down to specific details that have already been revealed by the trailers and so on, so it’s not entirely spoiler free, but I won’t be talking about anything that gets revealed only in the movie itself.

I’ve seen the movie in 3D and didn’t enjoy that. I think the projector was slightly misaligned but aside from a faint “shadow” to both sides of objects with a high contrast to the background I don’t think that was much of a problem. Nobody else complained about that. I think this was the third or fourth movie I’ve seen in 3D and it just seems to not be working for me. I see the depth effect and colors look crisp, but I take a while to get focused on the image and for large parts of the movie the cuts are just so fast that it’s already by the next image once I’ve found my orientation. And any time there’s some shit flying in the foreground it completely messes up my vision as well. The combined effect was that everything appeared extremely jittery and out of focus the whole time so that after 20 minutes or so I just watched it without glasses. That meant the whole movie was blurry, but that’s something I could live with in exchange for not straining my eyes for over two hours. Not sure if it’s all me, or the projector, or if they used 3D poorly in the movie. But I never enjoyed it in some of the Hobbit movies either. Please get over this fad soon and show movies normally again.

I also saw it in German. The voice acting was fine, but since English is mostly a highly simplified version of old North German it is almost always possible to translate dialogue in a way that achieves almost perfect lip synching. Unfortunately the result is a highly simplified version of modern Standard German, that sounds completely unnatural and incredibly stilted. And when you’re passably fluent in English, you probably could reconstruct the exact original English script from just hearing the German lines. It’s word by word translation and that always sounds shit.

Now to the movie itself. My overall impression is that this is “a new Star Wars”. It is very much really Star Wars and not something else with the name tagged on (yes, I hate Nu Trek), but it’s not more of the “old Star Wars”. It’s Star Wars, but a different Star Wars. Though the last 15 had already been a different Star Wars than my Star Wars. And now we have another one. I am not thrilled about that, but I think that’s okay and it would have been unreasonable to expect something else.

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Kishoutenketsu, or putting the twist in the middle

While familiarizing myself with storytelling techniques and dramatic structure, I came across the term kishoutenketsu as a form of narrative structure common in East Asia. I had not heard the term before, but I instantly recognized the idea behind it. The word simply means Introduction, Development, Change, Resolution and this structure can be used for pretty much anything from a four line poem, to philosophical arguments, and whole TV shows. It’s used so frequently in Japan that it can often become a source of confusion when talking with Europeans and Americans who have difficulties with grasping what the point of an argument presented in this fashion is supposed to be.

The basic concept of kishoutenketsu is that a story or argument begins by introducing a subject and then continues to elaborate on it. However, about halfway or two thirds through the story, the narrative suddenly switches to a different subject that may only marginally or not at all be connected to what has happened before, or make everything that has come so far seem inconsequential. The beauty of it then comes in the fourth part of the story where it is then revealed how these two seemingly different plot strands are actually very closely connected and that they have really been the same story all along. What I find quite enjoyable about this approach to telling a story or making a point, and which probably why it became so commonly used in East Asia, is that it engages the audience to do their own thinking. It presents a puzzle that is meant to make you curious about how it will all come together in the end, and that curiosity makes you pay attention to the details and anticipate what intention the storyteller might have. And it’s not uncommon that the true meaning of the story will not be clearly explained at the end. It is both rewarding for the audience, as it makes you feel smart when you see the connections and the pattern, and also helps to make the message stick in your head because you actively worked on finding the meaning instead of just being handed a final conclusion that makes sense in someone elses mind. Continue reading

Movie Review: Interstellar

309274ill01a_Names_WI’m a huge fan of Nolan movies and beside Inception my top list of favorite movies of all time consists of Blade Runner, Ghost in the Shell, and The Empire Strikes Back. Yet somehow I had not seen Interstellar until now, even though it was a foregone conclusion that I would love it. Even with just knowing that it’s a Nolan movie about space and wormholes. Once I heard that much last year, I didn’t watch any trailers or read any preview articles about it, knowing that I would eventually see it, almost certainly love it, and love it all the more the less I knew about it in advance. But somehow I never watched it when it was released or got it on DVD when it came out until now. It was actually just me wondering out of the blue how the music for the movie would be and looking it up it sounded really quite amazing. This had me think about a technical question on how it was done and suddenly I found myself being only 80% blind to the content of the movie instead of 95% as I had been before. That convinced me that I had to actually watch it and to watch it very soon! Which I did yesterday.

And I should have watched it last week! It would have been so much better going into the movie completely blind, not even knowing what the story is about. Not knowing about the setting, not knowing about the underlying conflict, not knowing about the goal. Many people consider Nolan movies to be confusing, but I personally think the one way in which they could be better would be being less predictable. And even just knowing a few basic things about the plot lead to me not really being surprised by the story of Interstellar. So in this review I will not be talking about the story at all but instead about why I think you should really see this movie. If this kind of movie is for you. Of course there is so much to talk about in this movie and I think I will do another post in a near future where I will totally nerd out about all the things I’ve seen and discovered.

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But for now I’ll try to keep it strictly to the merrits of the movie aside from the plot. To outline the story just in very broad strokes, it takes place in a future where the world is in terrible shape and the hope for the future of huminity lies in the exploration of distant planets in space. However, the physics involved that allow humans to reach other planets do extremely strange things to our perception of time and space, which results in a very weird and bizare experience for the astronauts. A lot of talk about the movie has been about how much actual hard physics and space technology is in the movie and how much more accurate it is than any other movies that have been made before. And that is true. But Interstellar is not a hard science-fiction movie! This is a really funky movie. Much more than Dark Knight movies and even Inception, this movie is all classic, oldschool Nolan mindfuck. Or, as I would rather think about it, classic Nolan cerebral lovemaking. Nolan’s movies are often considered to be postmodernist or existentialist, and Interstellar certainly is weird. But there is absolutely nothing humorous, ironic, or mocking about it. It’s not a crazy fun ride or a space adventure or anything like that. This is a seriously heavy philosophical and emotional movie. One might even be temped to call it spiritual, but that term probably would create the wrong impression. It is in fact one of the defining aspect of Existentialism that it sits firmly on the blurry part of the border between philosophy and spirituality. It is concerned with issues that are traditionally considered religious while at the same time rejecting the concepts of the supernatural or the divine. All of Nolan’s movies touch on this spehere, but Interstellar dives into it much deeper than ever before.

And I think this is the main factor that will determine if this movie is for you or not, and how much you’ll enjoy it. The Batman movies are somewhat unusual superhero movies, but they are still superhero movies. Inception left many people confused about the plot, but it still entertains as a popcorn action movie. Interstellar just won’t do that. It doesn’t really have any action scenes and a narrative that is pretty simple. (While it’s very deep, it’s not complex.) And it’s almost three hours in length. Almost everyone is used to movies that run 120 minutes, but adding 45 more minutes to that makes a big difference. And since it isn’t packed to the brim with plot development, it also is pretty slow paced. Oh, and yeah: It’s also very bleak. It’s not a violent movie or an agonizing movie, but it’s dark. I’ve been thinking about elaborating on this a lot, but everything I come up with feels like it would give away too much. I think a comparison with Blade Runner and Ghost in the Shell is really quite appropriate here. If you can get something out of these kinds of movies, I think you’ll also enjoy Interstellar.

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My Star Wars Headcanon

I’ve been considering to write a series of reviews for the Star Wars movies for quite a while, and with everyone (but me) being excited for the new movies and someone convinving me that Revenge of the Sith is actually a terrible movie with barely any redeeming qualities, this seems a good time to actually get around and do it.

But not today. What I’ll be doing here is making my own personal list of Star Wars works that for me define what Star Wars is and which stories and characters I like to remember. And which in reverse implies which part of the Expanded Universe I’d rather ignore and pretend not to exist as part of the universe.

  • The Classic Movies: A New Hope, The Empire Strikes Back, and Return of the Jedi, obviously. I heard Disney has announced theatrical cut version on DVD or Blue Ray. I’d really like to have those.
  • X-Wing: This was my very first videogame back in 5th grade. We just had gotten our first computer and one of my friends had this game, which we’ve played many days after school at his home for many months. Story is almost nonexisting, but it was my first game and the first Star Wars thing that wasn’t the movies. So it simply has to be on this list.
  • Tie Fighter: The second game in the series. And still to many people one of the greatest space combat and Star Wars game of all time. (Mostly people in their 30s, I would assume.) This one had a pretty good story, but almost nothing from it did ever get used in any other works. The exception being the Tie Defender, which I think was possibly the worst new idea introduced by it. But to my knowledge, it’s still the only Star Wars game with a story in which you play as the Empire, and had a huge effect on getting a look inside its military.
  • Shadows of the Empire: This one was created simultaneously as a book and a videogame and takes place between The Empire Strikes Back and Return of the Jedi. The book follows Luke and Leia as they are trying to rescue Han Solo and get involved with the organized crime of Corruscant while the game is about the mercenary Dash Rendar, who is helping the rebels by following other clues that might help with the search, and the two cross paths every so often. The book has a lot of problems and the game is just very, very weird. But damn it, I was 13 and I devoured it and loved it. It’s not great, but it did a lot to shape my own image of what Star Wars is.
  • The Thrawn Series: By the end of the 80s, Star Wars consisted of the three movies, a comic series by Marvel (which got almost entirely ignored by any other works later), and the roleplaying game. There also was a Han Solo and a Lando Calrissian book with various stories that are kind of their origin stories, I believe. But that was it. Then the Thrawn novels came out and Heir to the Empire, Dark Force Rising, and The Last Command changed everything. These three books changed everything. They single handedly started what became the entire Expanded Universe. Quite probably because they are really pretty good. And when you were 12 or 15 in the 90s, they were mind blowing! I read them again last winter with a group of other people, and I’m definitly going to review them as well. There are so many things that are now taken for granted that really didn’t exist before it. Not just Grand Admiral Thrawn, who is just the most magnificent villain, as well as Mara Jade and Captain Palaeon, who became very major characters in their own right. It also established the New Republic with the capital on Coruscant and Han and Leia being married and having kids, who also became pretty important characters in later books. The entire New Republic era goes back to just this one story. It’s probably the most important Star Wars work ever, right after the classic movies. Without it, there probably wouldn’t ever have been any more movies and the huge number of novels and videogames we have now might not exist either.
  • The X-Wing series: I mean the books, not the games. The X-Wing series takes place in a quite rarely seen part of the Star Wars history, being set between Return of the Jedi and the Thrawn series. The central hero of the series is Wedge Antilles, a minor character from the movies and the one guy who survived both battles against the Death Stars. After Luke stops being a fighter pilot to pursue his Jedi career, Wedge becomes the most famous and skilled pilot in the Rebellion and leader of the ultra elite Rogue Squadron. Killing the Emperor and Vader and destroying a major part of the imperial fleet was a major victory, but it didn’t remove the imperial government from power. The first storyline that covers the first four books is just about that: Destroying the Empire and establishing a New Republic. For that purpose wedge assembles a team of elite pilots and commandos, whose task is to take various secret missions to prepare the conquest of the capital on Corruscant. I really loved those books and got them again in English, but have not yet gotten around to read them. The books that follow also have Wedge as the lead character, but this time he’s creating a new special unit made up of various unique individuals specifically selected for the most unusual of missions that go beyond the capabilities of regular commando and infiltration troops. Who also travel around in starfighters and are damn good pilots, because this is the X-Wing series after all. I read the first three or four of these and while I did quite enjoy them, I eventually lost interest. But the first four books rank very high on my list, right after the Thrawn series.
  • Jedi Knight: I actually only played Jedi Knight 2 and Jedi Knight 3 (Jedi Outcast and Jedi Academy). I always considered giving Dark Forces and Dark Forces 2 a try, but they are really old now and just don’t look that great. These games are the adventures of Kyle Katarn, a mercenary with Jedi training, who has a quite difficult relationship with Luke Skywalker’s new Jedi Order. He clearly is a good guy and often on the same side as the Jedi and the New Republic, but also very independent and difficult. In many ways like the early Han Solo, but clearly a diffent and well distinguished character. And the early games in particular were pretty dark for Star Wars. And the best thing about them: Lightsaber combat. In the games that I played, the lightsaber is awesome. It works like you expect it to work, easily cutting through enemies and slicing them to pieces instead of heavy impacts that take a couple of hits to deal enough health damage to kill. And there’s a lot of dark Jedi disciples to have lightsaber fights with as well. The stories of the games I played are not great, and as far as I am aware the characters or events were never mentioned anywhere else. But I like them and they feel very much like Star Wars. They are still pretty fun today.
  • Tales of the Jedi: I never really got into the many Star Wars comics. My brother had some, but I never gave them any real attention for a very long time. The Tales of the Jedi series was particularly unusual, as it was the only Star Wars work not set in the classic but instead 4,000 years in the past, at the time of the great wars between the Jedi and the Sith. Some of the characters and places were used as mythology references in the Jedi Academy novels, but that was mostly it. I think the quality is not too great, though the original storylines by Tom Veitch were quite interesting stuff. The later ones by Kevin Anderson really not so much. Their real impact came much later when the period got picked up as the setting for a videogame.
  • Knights of the Old Republic: This is one of the famous BioWare RPGs, which one might count as one of the biggest videogame series ever, going back to Baldur’s Gate in the late 90s and up to the most recent game Dragon Age 3. Counting the various spin-offs and sequels by Black Isle/Obsidian Entertainment, there have been 16 games in total by now. KotOR is probably among the most praised and once it was decided to no longer make licensed games, it led to the creation of the Mass Effect series. The first Mass Effect is very much a direct successor to KotOR with a different, but in many ways very similar setting. It is set a few decades after the Tales of the Jedi comic series and takes the name from one of its storylines. While I think the story and characters are not actually that amazing, the way the setting is represented really is. The galaxy is very much recognizable as Star Wars, but it’s also a quite different place from the later periods. Both the Jedi and the Sith are much more prominent, but at the same time everything is also much more decentralized¬† with various medium factions instead of just two massive ones. The game is a lot of fun, and I actually like the KotOR era even more than the classic movie era.
  • Knights of the Old Republic: Please people! Stop reusing the same titles for various different works! This comic is the third Star Wars story called Knights of the old Republic, after the first comic and the videogame. This one takes place shortly before the game and you see several familiar places and brief appearances of characters, but other than that really is a clearly separate story. Actually two stories, following the same group of characters. The central character is Zyne Carrick, who is possibly the worst Jedi ever. In the first story he gets caught up in a big conspiracy within the Jedi order and has to go on the run while he is framed for having fallen to the dark side and having murdered several Jedi. During the adventure he also gets involved in the Mandalorian War and crosses paths with Revan and Malak when they were still renegade Jedi fighting for the Old Republic against the wishes of the Jedi Council. The second story revolves more around Jarael, one of Zaynes companions, while he becomes a supporting character to her story. Both are really damn good, and this is by far my favorite American comic, standing shoulder to shoulder with Hellboy. I plan to read it again sometime, and then probably do a review of it.

Something quite interesting I’ve noticed a while back, is that most of the Star Wars works I really like and regard very highly don’t actually involve the movie characters to any considerable degree. The Thrawn series being the notable exception. I like the movies, but the heroes are the heroes of that story. Their story. Seeing them turned into statesmen somehow isn’t really doing it for me.

As you also might notice, no stories from either the Clone Wars or the New Jedi Order eras (and I don’t even know what this Legacy era thing is). I think the main reason is that they don’t really match with what I consider the true form of Star Wars. They feel more like spin offs with quite different styles and aesthetics. I actually wasn’t really happy with most stories set in the late New Republic era. The Correlian Trilogy was probably the last thing chronologically that I’ve ever read. And yeah, I wasn’t a fan. These stories also focus a lot on politics and seem to me to have lost the swashbuckling adventure style of the first two movies.

Movie Review: The Forbidden Kingdom

The Forbidden Kingdom is a Chinese-American fantasy movie loosely inspired by Journey to the West. And It’s really terrible. Journey to the West is one of the big classics of Chinese literature, written in the 16th century. This movie is a cheesy portal fantasy in which an American kid is transported into a magical version of medieval China after he finds a magic staff in the shop of an old Chinese man. He quickly runs into a kung fu master, a love interest, and a monk who tell him that he’s destined to return the staff to the Monkey King who has been turned to stone, so that he will come to life again, just as it has been prophecised.

The Forbidden KingdomThis movie reminds me both of Last Action Hero and Indiana Jones and the Kingdom of the Crystal Skull. Except that Last Action Hero knew that is was a parody of the Action Hero genre. I think this movie actually seems to take itself serious as a wuxia movie. But it’s really more of a travesty. The setup is stupid (I hate Portal Fantasy and Chosen Ones), the plot not really existing, the acting ranges from bland to bad, the villains are forgetable, the jokes are not funny, and the action scenes are pointless. It doesn’t even look good.

I admit that I have not actually seen the whole movie. After about two thirds I could not take it anymore and there really wasn’t any indication that there suddenly would be plot or characterization appearing out of nowhere.

Rating this movie is really very easy. Nay! Don’t watch it. It’s a complete waste of time. It’s even worse than Conan the Barbarian 2011.