The Enveloper is some kind of gooey creature that has the ability to absorb people it killed and gain its abilities and knowledge. Which each new victim it simply adds its abilities to those it already has and gets tougher and stronger. It may look like the Michelin Man, but otherwise has more similarities with The Thing. It doesn’t seem to be able to change its appearance to that of a person it absorbed, though.
Ettercaps are primitive humanoids with a poisonous bite and the ability to create webs like spiders. They use the substance as building material for all kinds of traps. Their nature also makes them go along well with spiders. Ettercaps did show up in all following editions of D&D, as far as I am aware, later on becoming quite spider-like themselves, but there isn’t anything of that in this original version. The bug eyes started in AD&D 2nd edition and this aspect was build up increasingly ever since.
The Eye of Fear and Flame is another skeleton wrapped in a robe and stalks the underworld to do evil deeds to lawful characters. No real reason why, but it just does. In it’s natural state, the face is hidden inside the hood by supernatural darkness, but if anyone tries to resist its commands, it will remove its hood, revealing its bare skull with two gems as eyes. One red and one black. The red eye can cast a fireball spell every three rounds. And the black eye, you guessed it, casts a fear spell. Trying to cast spells to blind it at the creature will simply reflect them at the person who cast them. It can’t really fight in other ways and when it’s starting to lose it will try to escape to the ethereal plane, though that takes it two rounds to do so, which can be quite plenty of time to destroy it. At 12 hit dice and armor class 2, it’s pretty tough, though. This is another creature that sounds like it was really cool when it was originally used by the person who created it, but without knowing that story, it seems a bit random. And I guess the name is pretty cool, too. Continue reading “Fantasy Safari: Fiend Folio (AD&D 1st Edition), Part 3”
But I recently got a couple of monster books I want to share with people, and instead of going straight to those, I first want to complet this run of the Fiend Folio.
So, here we go, picking up where we last left:
The Cifal is a form of “colonial insect-formed artificial life”. Yeah, this one pretty certainly is one of the submissions to White Dwarf magazine. It’s a swarm of insects that has combined into a single humanoid form. When damaged, the creature will burst apart and transform into a swarm of flying insects which do not attack, but reassemble into a new form after a short time. By hitting it quickly it can immediately be dispersed again, but with every round it regenerates 2 hit points. Repeating that process long enough will eventually kill it, as it can’t regenerate indefinitly, but it seems a much better idea to try to kill the swarm with fireballs or something like that.
The Coffer Corpse looks like a zombie and is always found in some kind of coffin. If the coffin is opened, it will immediately wake up and try to strange the person who opened the lid and will not let go until destroyed. If it takes 6 points of damage in a single round, it collapses as if dead, but will get back up on its feet the next round (which I believe is 1 minute in this game), which causes anyone nearby to make a saving throw or flee in terror. The coffer corpse does not actually regenerate any damage, though.
In Goethe’s probably most famous and classic play Faust, the honest and properly raised Gretchen falls in love with the dashing and intelligent Doctor Faust, but has some concerns about his pursues of alchemy and astrology and the highly suspicious companion he spends much of his time with. Despite all the trust she places in him, she eventually can no longer dismiss her worries and confronts him for the moment of truth: “How is’t with your religion?”
When it comes to fantasy these days, both literature and games, one of the big Gretchen-Questions appears to be “What do you think about nonhuman characters in fantasy?” No matter how you reply, there will always be lots of people all too happy to tell you why you should reconsider your stance. Some think it’s always a bad idea while others really don’t want to have anything to do with works that limit themselves entirely to humans. When it comes to Sword & Sorcery, a lot of people seem to be especially vehemently entrenched in their oppinion that it can’t really be even considered Sword & Sorcery when there are characters who are not humans in it.
One comment I see very often that appears to go for a middle ground is “I am not entirely against nonhuman characters, but they must be more than humans with pointy ears.” They have to be distinctly nonhuman in their nature and behavior or they could just have been humans in the first place. When you see a comment like that, you usually also see a great number of people who can totally get behind that and very much agree with it. But when you look at actual works of fantasy fiction, how often do you really see nonhuman characters that truely think and act completely different than humans do. Dark Sun had the Thri-kreen, a race of large and intelligent insects; Eberron the Warforged, a mass produced type of golem with human proportions build for warfare; and in sci-fi I could think of the Geth, a collective of trillions of programms that group together into artificial intelligences that control all kinds of robot bodies as fits their current needs. But these are a few exceptions out of hundreds and possibly even thousands of fictional types of people that have been made up in the last 100 years, who pretty much all very much fit the mold of “humans with pointy ears” (or horns, green skin, four eyes, or whatever).
It is no secret that the classic character races in Dungeons & Dragons, consisting of human, elf, dwarf, and halfling, are taken from The Lord of the Rings, as well as the standard enemies of orcs and goblins. However, a huge number of other creatures from the many Monster Manuals are neither original creations, nor taken from various mythologies as well. A great number of monsters and critters has been lifted directly from literature, a method that was at least continued until 2000 with the first Monster Manual for the 3rd Edition. Which is a completely legitimate thing to do, and there are countless of appearances in videogames of creatures that are very clearly beholders, which are one of the most famous original creations of D&D.
However, as I’ve been reading some older fantasy stories this year, I had a number of “Hey, I know that thing!” moments, and I think it would be interesting to share those.
The “Prehistoric Animals” Toys: These are probably the best known group by now. I don’t know who exactly is responsible for their creation, but the rust monster, bullete, and owlbear are all based on cheap plastic toy monsters from Hong Kong. Toni DiTerlizzi wrote a very good article about them last year. The carrion crawler is also based on a similar plastic monster from a different source.
Grimlocks: I was actually quite surprised to learn that apparently grimlocks appear only in very few cases outside of D&D. I had been kind of asuming that they were based on some local legend somewhere in Europe, but apparently they are simply a slightly altered version of the morlocks from the 1895 novel “The Time Machine” by H.G. Wells.
Thri-kreen: These are one of the iconic creatures of the Dark Sun setting, but actually they are based very closely on the tharks from the novel “A Princess of Mars” by Edgar Burroughs, which was released in 1917. They are tall, green, have two legs and four arms, a pair of big tusks, big eyes, can jump very high and far, and are a nomadic people of the desert. The only major change in Dark Sun was to make them insectoid, while the tharks of Mars seem to be more reptilian, if anything.
Girallon: These monsters first appeared in the Monster Manual for the 3rd Edition and are both relative newcomers and not particularly popular in D&D. However, they are also taken stright from “A Princess of Mars” as well, where they are simply called White Apes. Giant gorillas with white fur and four arms. There is really no room for ambiguity there.
Purple Worm: Giant subterranean worms like these appear in H.P. Lovecrafts story “The Dream Quest of Unknown Kadath” from 1929, where they are called dholes. A similar concept appears in the sand worms of Frank Herberts 1965 novel “Dune”.
Yuan-ti: The resamblance of Yuan-ti to the naga of Southeast-Asia is easy to see, but the specific details of these creatures are very close matches to the Serpent Men, who appear in several stories by Robert Howard. They first seem to have appeared in the 1929 story “The Shadow Kingdom”, where they are a race of humanoids with snake heads, who have the ability to disguise themselves as humans and many magical powers, and worship the gods Set and the Great Serpent. The 1932 story “Worms of the Earth” also has what would be a yuan-ti pureblood.
Elder Brain: The Elder Brains of the ilithids, though not the ilithids themselves, appear first in the 1930 novel “Last and First Men” by Olaf Stapledon. In the book, they are the Fourth Men and control the Fifth Men, which are very much unlike mind flayers.
Kuo-toa: While many of the specific abilites of the kuo-toa are unique to the creature from D&D, these creatures are very closely based on the Deep Ones, that first appeared in the story “The Shadow over Innsmouth”, which was written by H.P. Lovecraft in 1931.
Gibbering Mouther: The creature that appears in D&D as the gibbering mouther is a severely downgraded version of the Shoggoth, another famous monster from Lovecrafts stories, which had its first appearance in “At the Mountains of Madness” from 1931.
Grell: A creature looking pretty much identical to a grell except for the color appears on one edition of the “Legion of Space” by Jack Williamson, which was written in 1934. In the story, the creatures are called medusae.
Worg: The creature, as it appears in D&D, is basically identical to the wargs from Tolkiens “The Hobbit”, which was published in 1937.
Displacer Beast: These creatures are based on the ceurl from the 1950 sci-fi novel “The Voyage of the Space Beagle”. They also appear in many Final Fantasy games under their original name.
Xill: The xill is a rather obscure monster in D&D, even though they have been around since the original Fiend Folio and reappeared both in Planescape and the 3rd edition Monster Manual. Like the displacer beast, they are taken from “The Voyage of the Space Beagle”, where their name is ixtl.
Frost Worm: The frost worm first appeared under the name remora in the 1969 story “The Lair of the Ice Worm” by L. Sprague de Camp and Lin Carter. It’s practically identical in every aspect.
Spider Eater: This monster is strongly based on the sith from the Barsoom novel “The Warlord of Mars”.
Lich: The classic undead wizard is not an original creation by any specific author, but is indeed a figure from slavic legend. Koshei the Deathless is a powerful sorcerer so ancient that his body has decayed to almost nothing but a starved skeleton, and who has gained immortality by hiding away his soul in a magical box which is safely secured in a secret place.
The bestiary for the Ancient Lands is taking shape nicely. Selecting the wildlife and monsters for a setting is a part of worldbuilding I find particularly interesting, but doesn’t seem to be given much attention most of the time. There seems to be a common tendency to throw in pretty much every beast and critter the creators find interesting, but personally I think that’s something that doesn’t really work well. I’ve been reading through the old AD&D monster manuals again some time ago, and those who always surprise me the most are the Forgotten Realms appendices. Those are meant to cover creatures specifc to the setting that are not covered by the regular monster books. However most of them ended up completely forgotten and never mentioned again in other books, box sets, and 3rd edition. It’s not enough to simply write up a creature, it also needs to be woven into the rest of the setting and become part of it.
Take for example Dark Sun, which has the kang, mekillot, and inix, which barely resemble any animals found on earth and have no special abilities. But they are memorable because they have a very important role. They are the horses and camels of the setting, which are used by everyone who is sane enough to not try crossing the desert on foot. Eberron has such unique creatures as the quori and the warforged, which could easily be dismissed as silly ideas, but are among the best known features of the setting because they play an important role in the world. Dinosaurs are implied to be existing in some remote regions in almost all D&D settings, but only in Eberron is their presence really acknowledged. By having a race of deinonychus riding halfling barbarians!
Quality goes over quantity, and I vastly prefer the approach of not adding anything to a setting unless it is relevant in some way.
I was just updating my monster manual for the Ancient Lands and found a note that I still need to write stats for the Sand Bision.
I have no idea what a sand bison is.
The next item on the list is a Riding Goat, so it’s probably some kind of actual bovine, but I havn’t the slightest clue what I could have meant with the name. There aren’t even any deserts in the Ancient Lands!
Update: I believe I simply meant an upsized version of the regular old musk ox.
I’ve been running a gallery for collecting pictures of exotic and interesting looking fantasy creatures for some time, and now added another one for unusual and evocative landscapes. With most of the images I have not the slightest ideas how I would use them for my campaign, but I’d really like to do so one day.
This time I am starting with Fiend Folio for AD&D 1st Edition by TSR, 1981; 89 pages of monsters.
Probably the most famous and most highly regarded monster book there is. Even I, who never had huge praise for AD&D and consider lots of old D&D monsters to be just rediculous and dumb to a degree that it isn’t even funny, have to admit that this book is really quite amazing. I am a huge fan of monster books of any game and any edition, and I have to kind of admit that in the last 32 years, there hasn’t really been any book that has surpassed this classic in the amount of brilliant new creatures it contains.
I got this idea watching a video about Machine for Pigs a few days ago, in which the primary enemies are pigmen. For some reason it got me thining about werwolves, probably because a half-man-half-pig is similar to a half-man-half-wolf. However, one is a person afflicted by a disease that makes him turn under the light of the full moon and invulnerable to anything but silver, while the other is an alchemically warped hybrid of two creatures that doesn’t have any of these special traits.
With a werwolf, you know exactly what you are dealing with. You know what caused it, what triggered it, how the creature behaves, and how to kill it. But while a pigman might also stalk the night an brutally tear its victims to pieces, you don’t know anything about its behavior patterns and how it can be killed. And that’s the key to making horror monsters. Fear is essentially a response to not knowing how to respond to a dangrous situation. When you understand the danger, you can deal with it in a safe way, or at least get yourself out of harms way. You are in control of the situation, so there is no reason to fear.
So when it comes to creating or using horror creatures, it’s vital that the players do not know what they are dealing with. And I think it might be even more effective if the players think they know what they are dealing with and that they are in control of the situation, only to have them realize that the weapons and protective items they brought don’t do anything against the creature. Right now, I really want to make a short adventure in which an unseen creature attacks people during nights of the full moon, leaves behind mangled corpses, and is only seen as a shaggy bipedal shape that jumps in great leaps over roofs and walls. But then it keeps attacking even after the full moon has passed and its entirely unaffected by silver and wolfsbane. Which the players will only realize once they sprung their trap and have the beast cornered.
Starved Ones are basically zombies or ghouls who are constantly decaying at a relative rapid rate, losing 10% of their hit points every day. They regain their full strength and can regenerate decayed or lost body parts by eating the matching parts and organs of a dead creature. However, the newly regrowing organ will have the appearance of the organ that was consumed, not the form of the originally lost parts.
There’s some potential here, but I think how scary they will actually be depends a lot on the GMs imagination for what kinds of corpses the starved ones are feeding.
Tentacle Spawn are rather weak demons but tend to appear in large numbers. They are not actually individual creatures but rather just the ends of tentacles of much more massive and horrible beings from beyond this world, which often come grasping through portals much to small to allow the passage of the abominations entire body. I think they are making a great addition to encounters with evil sorcerers and the like and are more part of a dangerous environment than actual enemies themselves. Still, treating them as individual creatures would probably make a good job to make them appear as real threats.
The Black Spawn of Jullah (see part 1) serve as conduits to the realms of otherworldly horrors and can let tentacle spawn burst from their bodies.