Finally main season at work has come to a close. Instead of 44 hours per week I am now down to a much more cozy 35 hours, and also almost no weekend duty anymore. That provides me with a lot more free time.
And immediately I start thinking about starting a new online campaign. The biggest question is what type of campaign I want to make it. Some kind of Conan-style adventures in a Morrowind-style setting using material from my previous games, or do the Knights of the Old Republic game I had wondered about for a long time now.
Now that I think of it, the question can probably be boiled down to “Do I want lightsabers or not.” The rest would actually be mostly the same.
Considering all the options, I am currently favoring Barbarians of Lemuria as the game of choice. It doesn’t have all the numbers and restraints of D&D type fantasy games, but it also is mechanically really simple and easy to understand, which makes it very well suited for online play.
A discussion on Fantasy Faction raised the idea to put together lists of the most important books to your aspiration to write fantasy. As a means to get some clarification for yourself to understand what actually drives and inspires you, and to look closer at them to find clues to figuring out what is your prefered style. I first thought it would be very easy to name five books that I really enjoyed a lot, but when it comes to books that have been important and influential, this does actually become a bit harder. In the end I was able to come up with five books that left very strong impressions on me, and of which I feel quite certain that they really are the five most important.
In chronological order:
Jim Button and Luke the Engine Driver by Michael Ende: There are three books by Ende that we had read to us at an early age, which were Jim Button, The Neverending Story, and Momo. All three are amazing books, but in hindsight Jim Button was the one I liked the most. It’s an adventure story that has the heroes travel to many weird places and encounter lots of strange people and experience all kinds of amazing things. And how can you beat character names like Sursulapitschi, Mister Shufulupiplu, and King Alfonse the Quarter to Twelfth. It’s not as bleak and The Neverending Story and Momo, which are highly existential works, though there is still some actually quite heavy stuff going on that was inspired by the Nazis and World War 2.
Heir to the Empire by Timothy Zahn: This book isn’t on this list because of it’s quality, but for the impact it had on me as a fantasy fan. I never make a secret of how massive an influence Star Wars has had on me, and during those great years in the 90s I was also reading a good number of books in addition to playing lots of games. I think when the new movies came out, me and my brother had read about all the novels that had been released in German up to that point, except for those written for children. And among these books there clearly is no contender for the throne other than Heir to the Empire. It was the book that laid the foundation for Star Wars being more than just three fun movies, but a massive setting with a huge body of works. And it was also one of the first that we got. And in addition to that, it also is actually a really decent book. It’s good and still quite fun to read. I’ve read it again a while back but still somehow have not turned my extensive notes I took into a proper review.
Conan by Robert Howard. All the Conan stories fit neatly into a single volume which is why I am treating them as one book here. Conan is the starting point of Sword & Sorcery and set the gold standard by which any other works are still being measured. The scale goes from 0 to Conan. Despite being the first real Sword & Sorcery series (though Howard’s proto-Conan Kull did get two story released a few years earler) it set a standard that has never been reached again. Really, what can you say about Conan? It’s amazing. Reading Conan was what got me into Sword & Sorcery and also gave me the inspiration to try writing myself as it shows how great a story can be within a format that I feel I could be able to tackle myself.
Death Angel’s Shadow by Karl Wagner: While Conan has never been rivaled, Kane is perhaps the one that ever came the closest. Death Angel’s Shadow was the first Kane book that I read and I was nothing but amazed by it. Reading Conan made my love Conan. Reading Kane made me love Sword & Sorcery. Hard to describe the greatness of this series in a few sentences, so I am simply linking to the three full reviews I did here.
The Last Wish by Andrzej Sapkowski: I encountered the Witcher in the first game adaptation of the series and was so impressed by it that I eventually gave a try to the books. The first one of which is The Last Wish. Like the previous two works I listed, this book is a collection of stories but one that acually has a very tight chronological order that give it more of an episodic character than a collection of different works. It’s a really damn good book. The series has the best written characters I’ve encountered in a book so far, really no contest there. Like Conan and Kane, it’s also quite existential, which makes the conflicts the characters find themselves in feel so much relevant and meaningful. As with the previous series, I’ve written four reviews about it so far.
Looking at the completed list, I noticed something that really doesn’t surprise me at all. Except for the first entry, all the others are from series that I have given their own categories for posts here. And they are the only four series that I have treated that way. Looking at the categories list on the right could have speed this up by a bit.
While it’s really well made, I’ve always been thinking that making a Conan RPG based on the d20 system was a really odd and unfitting choice. The extremely steep power gradient between 1st and 20th level just doesn’t seem right. But running the Conan game in an E6 variant? Now that seems like a really interesting thought.
How can I wear the harness of toil
And sweat at the daily round,
While in my soul forever
The drums of Pictdom sound?
What is it with this picture of Robert Howard? It’s probably the most well known picture of him that gets used the most. Far be it from me to claim to really know a man who lived on the other side of the world and has been dead for 80 years, but I always feel that this isn’t really him. This is Robert Howard trying to pretend to be someone who he is not. As far as I know, this is the only picture of him with a tie and a hat (at least this hat). And it doesn’t match the way he described himself in his writings and correspondence at all. Maybe his agent demanded this picture for promotional material or it was him dressing up in costume (there’s a couple of pictures of him posing and showing off his collection of anachronistic stuff). This probably is purely subjective, but that look on his face never seems to me like a man looking cool. It looks like a man trying to look while feeling very akward. This just doesn’t seem to be him.
Especially when compared to other existing pictures of him.
This seems to be the real Robert Howard, how he actually was and how he wanted to be seen. He clearly had his problems and who knows what had been going on inside his head. But I think that picture with him in a suit really is doing the man a disservice. It doesn’t seem at all like the way he should be remembered.
I’ve watched this movie about a year or so ago, but my memory was a bit hazy so I watched it a second time before doing a review of it. Why did I even bother?
The movie is called Conan the Barbarian, which is exactly the same name as the famous and highly regarded movie Conan the Barbarian. It’s neither a remake nor a reboot, nor anything like that, so why us the name of an already existing movie? There is an infinite number of possible titles, and so many options to name it that make it clear that it’s Conan. And now we always have to call it Conan the Barbarian 2011. Conan the Barbarian is not even the name of the series of stories, comics, and other stuff. Conan the Barbarian is just the name of a single movie. The Ahnold movie. This is a cheap attempt to cash in on someone elses good work. Despite not being a remake of Conan the Barbarian, and I think the director explicitly said it’s not a remake but a completely separate movie, Conan the Barbarian 2011 recycles the stupid subplot of Conan searching for the warlord who destroyed his village and killed his father. Which is a completely original invention of Conan the Barbarian and doesn’t exist anywhere else in the story of the character. Totally not a remake. Because they said so. Even Conan the Barbarian could barely be considered an adaptation of the Conan stories. Conan the Barbarian 2011 does a bit more name dropping so you know that it takes place in the Hyborian Age, but feels even less connected to the source material. Conan the Barbarian may not really have had much to do with the original stories, but I think it did a great job at visualizing the setting and bringing it to life. This movie doesn’t.
The movie is way too dark most of the time, so you can’t see anything. The music is also way too loud and the voices way too low, so you can’t hear anything either. Not that there would be anything to hear either. The plot is pretty much nonexistent. Any 20 minutes episode of Conan the Adventurer had more plot than this. And this is no joke. I actually mean that literally. While the indoor shots are always too dark, the outdoor shots of cities and fortresses all look terribly fake. They look like out of 300 or a Diablo III cutscene. Pretty, but completely inappropriate.
Now this title is a boast as big as it can possibly get. Swords & Dark Magic called itself the new Sword & Sorcery and fell disappointingly flat in that regard. “The Sword & Sorcery Anthology” can only be read in two possible ways: Either “The Complete Collection of Sword & Sorcery”, which obviously it isn’t, or “The Ultimate Sword & Sorcery Anthology”. I am more than willing to judge a book by its content, but when the publisher puts such a claim into the very title of the book, I will judge it by that measure as well.
Since getting through this book is taking a lot longer than I thought, I’ll split this review into two parts, covering half of the stories each. (The second half may take another week or two, though.)
I frequently see people complaining that they can’t get their novels to proper length and that their ideas don’t provide enough material for 200,000 words. Then why try to make them into novels in the first place? It’s not the only option fantasy writers have to chose their format. In the Sword & Sorcery genre, stories tend to be much shorter, instead you simply get more of them.
As references, here are the works of some of the great Sword & Sorcery writers and their lengths.
Starved Ones are basically zombies or ghouls who are constantly decaying at a relative rapid rate, losing 10% of their hit points every day. They regain their full strength and can regenerate decayed or lost body parts by eating the matching parts and organs of a dead creature. However, the newly regrowing organ will have the appearance of the organ that was consumed, not the form of the originally lost parts.
There’s some potential here, but I think how scary they will actually be depends a lot on the GMs imagination for what kinds of corpses the starved ones are feeding.
Tentacle Spawn are rather weak demons but tend to appear in large numbers. They are not actually individual creatures but rather just the ends of tentacles of much more massive and horrible beings from beyond this world, which often come grasping through portals much to small to allow the passage of the abominations entire body. I think they are making a great addition to encounters with evil sorcerers and the like and are more part of a dangerous environment than actual enemies themselves. Still, treating them as individual creatures would probably make a good job to make them appear as real threats.
The Black Spawn of Jullah (see part 1) serve as conduits to the realms of otherworldly horrors and can let tentacle spawn burst from their bodies.
I love monster books. To me they are clearly the greatest thing about RPGs. Most of the books I have are monster books, many even for games I don’t play. But when I flip through them, I often just look at the illustration and read the first few lines of text before I get bored with a creature that seems completely uninspired and overdone, and continue to the next one. But occasionally, there are creatures that are actually quite interesting and unique if you really give them a chance. And sometimes their greatness is immediately visible from the first second.
Over the next weeks, I want to return to many of the old monster books that I’ve pretty much forgotten about, and maybe occasionally pick up some new ones, to go hunting for rare and exotic creatures that you rarely get to see.
Today, I am starting with Conan d20 –Bestiary of the Hyborian Age by Mongoose Publishing, 2008.
The Black Fiend is the first creature in the book which actually is somewhat interesting. A black fiend is a roughly human-shaped demon that can pass for a human at a distance and in the dark, but has horns, claws, fangs, and pointed ears, that clearly mark it as a monster. They prefer to stay in darkness and often wear dark cloaks and hoods to hide their demonic nature from casual observers. They are not particularly powerful, but very stealthy, which makes them good assassins, and also have a great talent for sorcery, and many are spellcasters who can be summoned to learn rare and exotic spells from them. I think it’s the combination of being both an assassin and spellcasters, that makes the black fiend a bit more than just another demonic looking man.
On the first look, the Black Spawn of Jullah are just another type of large demon that look like large black apes with fur that seems to be permanently soaked in blood. As servants of the ape god, they can produce a roar that will summon large numbers of actual apes from the surrounding jungles to attack their enemies. An even weirder trait is their ability to use their own bodies as a kind of portal to hell, allowing tentacles and tendrils of some hellish abominations to burst through their bloody fur and grasp and bash at their enemies.
The black spawn looks like a generic evil ape, but I think figting one of these will actually get quite frightening to players when they suddenly find themselves swarmed by large apes from all directions and the tentacles burst from the beasts bodie. I think I want to use these ones in my campaign.
A Bodiless Slimer is a demon made of almost insubstential slime that is also entirely invisible. They are very hard to detect and to injure and can also use a breath of flames in addition to their normal attack of grappling and choking their victims. Before a fight, they use a kind of subconscious telepathy to demoralize their enemies. These could make for interesting encouters, but the creature itself is rather bland. Continue reading “Fantasy Safari: Bestiary of the Hyborian Age, Part 1”