Anathema

Naming things in a fictional world is a terrible and most unenjoyable task. It’s bad enough when you do personal names and place names, but when it comes to more abstract things like organizations or types of creatures, finding a name that is reasonably acceptible (it’s never good) can take a very long time. I think I wanted to have a kind of creature similar to the abominations from Dragon Age from a very early point in working on the Ancient Lands, over 4 years ago. In the meanwhile, I added more ideas from other creatures, like folding the roles of both lichs and vampires into this new creation, and taking some elements from the Inspired from Eberron and the Eternal from Spears of the Dawn. But when it came to naming these things, nothing ever came close to fitting. But now I sat down and clicked my way through a thesaurus (they are actually good for something) and came on this wonderful word:

Anathema

A word that probably most people interested in fantasy have come across once or twice. Probably always refering to something blasphemous and unholy, and just the sound of it sounds ominous, even if you don’t know what it means. I had to look it up myself and it turns out to be ancient Greek meaning “offering”. (In this case, the a- at the beginning is not a prefix meaning anti.) However, in early Christianity it was used in the sense of “offered to the devil” or “devoted to evil” and referred to an early form of excommunication. Even though I made some efforts to weed out technical and religious terms that don’t really make sense in the world of the Ancient Lands, which is very different from a standard western-christian universe, anathema seems to be a word that still works.

So what is an anathema exactly? You might recognize some of these guys. That’s what you have to expect.

anathema1anathema2anathema3anathema4anathema5anathema6anathema7Anathema are mortals who have become possessed by a demon from the Underworld, their own spirit consumed in the process and all their memories, knowledge, and much of their personalty absorbed into the demons mind. While the mortals mind still exist in some way, all the ideals, values, and desires it once had become irrelevant as the demons original personalty dominates the mind of the anathema. It usually has very little interest in the good of the mortals clan or family, but may often retain some affection to people who were close to it in its previous life. Most anathema are greed, desire, or sloth demons and almost immediately set out to some ambitious plan to sate their craving. Usually  with very little reagrd to those around it, but often enough cunning to keep their new nature a secret. At least for the time being. Demons can possess any mortal whose body and spirit have been corrupted by demonic magic and all anathema are very dangerous creatures. But the most terrible ones are those created from sorcerers who willingly summoned a demon to join with it and gain immortality and great magical powers. Many anathema note that their new nature is very different from what the sorcerer expected it to be, but at that point whatever the mortal once wanted is longer of any real relevance. The demons desire to visit and explore the physical world overrides any plans the sorcerer might have had and they never feel any remorse or despair about their new nature.

So even though there are no Gods and no church in the Ancient Lands and not even true afterlives, anathema are still creatures that have turned away from mortal life and society and now exist entirely to pursue their demonic craving. They are “devoted to evil” and in the case of sorcerers “offered themselves to demons”. And they also “excommunicated” themselves from all mortal communites and their spirit will not join the clan shrine to give strength and courage to future generations. So the name fits in both its literal and proverbial meaning and it also sounds cool and ominous. What more can you want for a big bad monster?

Funny coincidence

I was just reading through Kevin Crawfords Exemplars & Eidolons and noticed that it’s using a treasure system almost identical to mine. Since it was released fairly recently I checked the release date and look at that: It was released the same day I posted the first version of my treasure system here.

So we could both claim simultaneous invention. ;)

(Or being simultaneously inspired by The One Ring, that’s also a possibility.)

Awesome future novel idea #1: Not all is quiet on the Western Front

Here’s a potentially cool idea for a horror storie or adventure: Lovecraftian horror set on a World War I battlefield. Usually this style of horror doesn’t work when the characters are highly armed and there are lots of other people around. But the battlefields of the Western Front are probably as far removed from normality as it can possibly get. You could have creatures stalking the muddy bogs of artillery craters and barbed wire, murdering men left and right. And while there are lots of armed soldiers all around who would hear the screams and gunshots and stumble upon the corpses the next day, nobody would think anything to be out of the ordinary. The protagonist of the story would doubt his senses and wonder if he is simply going mad, and even if he told others what he saw, who would believe him? Either he went a bit mad or he is pretending to be mad to get out of the battle.

Maybe the creature is a werewolf, or it’s a group of ghouls who come crawling out of a crypt burried below a shelled cemetery that is no longer recognizable as such. It could go on for weeks or months, with only one or two man noticing that those attacks are not normal raids by the enemy. And the during artillery bombardment the bunkers would be deathtraps for all inside if a monster gets in.

I’d read something like that.

Encumbrance and Treasure

I am not usually someone who does any kind of accounting for fun, so dealing with treasure and equipment generally is done very quick and simple in my campaigns.

The encumbrance system is almost taken directly from the one created by LS at Papers and Pencils, which I really like. (Yes, when you post mechanics on your website, sometimes there will actually be people using it.) The treasure system is my own creation, as far as I can recall. It’s a slight variant of the one I came up with for tying character advancement to loot in Barbarians of Lemuria.

Encumbrance

Encumbrance works very simple. All items have a weight of either 1, or 2, or none. Characters can carry a number of items equal to their Strength score with no penalty. They can carry a number of items equal to twice their Strength score while being lightly encumbred, and up to three times their Strength score while being heavily encumbred.

Characters who are lightly encumbred have their movement speed reduced by one category and have all the penalties for wearing medium armor. (Limits to using certain skills and spell point cost for casting spells.)

Characters who are heavily encumbred have their movement speed reduced by two categories and have all the penalties for wearing heavy armor.

If an object is so large and heavy that it would take both hands to hold and carry, it counts as two normal items and has a weight of 2. Objects lighter than a dagger are not counted towards encumbrance. It’s left to the GM to decide when a larger number of smaller objects counts as one item. A pound or half a kilo of stuff probably is a good limit.

As they are likely to come up often, a quiver with 12 arrows, food for one day, and water for one day should all be treated as having a weight of 1 each, regardless of how they are stored.

To track encumbrance, a good idea is to have an inventory list in which all the rows are numbered. You can then mark at which row the limits for light encumbrance, heavy encumbrance, and maximal load are reached, based on your character’s Strength. For items with weights greater than 1, simply cross out the line below it. When you get over any of those limits, you simply see it immediately as the list passes over the marked lines.

Treasure

The standard unit of wealth is “1 treasure”. A treasure could be many things, but generaly has a weight and a value of 1. A small bag of silver coins being the standard example. But it could also be jewelry, gemstones, golden cups, or whatever. For special occasions you can also have special treasures which weigh nothing or have a value greater than 1. The huge diamond from the crown of the high priest may easily have a value of 5 or 10, while a gold ring with a saphire might have a weight of none. But these are not usually found lying around in ruins or in the pockets of bandits.

There are no price lists. As long as you have at least one treasure with you, you can get whatever weapons, shields, food, rooms, and other small expanses you want. If you have no treasure with you, you’re broke and have to either get some valuables somewhere or get creative in acquiring equipment and supplies. Greater expanses usually cost 1 treasure. It could be a mount, a lavish feast, a cart, or other mundane but expensive things. Armor is more expensive and costs 1 treasure per point of Armor Class bonus (an AC +4 armor would cost 4 treasures).

Magic potions also generally cost 1 treasure each and are probably one of the most common expenses. More powerful magic items don’t come with a fixed price. They are almost always given as rewards, taken from defeated enemies, or stolen from treasure vaults.

RPG Review: Primeval Thule

Primeval Thule is a Sword & Sorcery campaign setting that was released last year for Pathfinder, D&D 4th Edition, and 13th Age. It is set in the “Pre-cataclysmic Age” of Atlantis, Lemuria, and Mu, which has been the backdrop for the worlds of many Sword & Sorcery stories and RPGs, like Conan and Kull, Barbarians of Lemuria, and Atlantis: The Second Age. Primeval Thule adds a fourth mythic continent to this famous group, which takes the form of prehistoric Greenland. In the world of Primeval Thule, is a place very different from the one we know today. A vast tropical island covered by lush jungles and home to many strange beasts.

133780As someone with a passing interest in geography and geology, the map of Thule is quite interesting. For one thing, all the maps have west “up”, which I find pretty clever. Greenland is so far north that the difference between the axis of the Earth and the magnetic pole becomes quite significant and any compass would be pointing to a spot off the northern coast of Canada. Which seen from Greenland is in the west. A somewhat odd thing though, is that the map seems to be based on the geography of the rock below the modern Greenlandic ice and all the fjords and clacial valleys would not be existing yet before the coming of the ice. But hey, this is a pulp fantasy setting, so it’s not like that would actually hurt the world in any way. Another nice touch is that even though you’ll recognize all the islands of the northern Atlantic, Iceland is missing. Because Iceland is geologically speaking a very recent addition. By which I am saying 16 to 18 million years old, which was long before the evolution of the first apes. Scientifically widely incorrect, but I still like the idea.

Primeval Thule reads a lot like an honest attempt to merge Dungeons & Dragons with the Prehistoric Sword & Sorcery of Robert Howard, much more so than even Dark Sun. But my feelings about the result are a bit ambigous. Thule is inhabited by humans, atlanteans, beastmen, and serpentment, but also D&D races like elves, dwarves, and rakshasa. The elves I feel are done very well. They are in fact an alien race from another dimension that created a colony in Thule a long time ago and had several big wars with the local serpentmen and rakshasa. Which they did defeat, but ultimately they also fell into decline and were pushed back by explorers and conquerors from Atlantis in the south and are now almost disappeared. The center of remaining elven culture is a single large city which is increasingly falling into ruin and decaying anarchy, which I think integrates them very well into this type of fantasy setting. On the other hand, dwarves are just boring. They have a single small kingdom somewhere in the mountains, which is of no significance to the rest of the setting as a whole. It feels like the dwarves are only there because the rulebooks of the three games the setting is written for have them as a player character race. But they are just shoved into a back corner and then forgotten. Why bother then? I even saw a single case in which a village of halflings is mentioned. And that’s all. For any intents and purposes, halflings don’t really exist in Thule. I don’t think there was any mention of orcs or goblins and I am not sure if I’ve seen any instances of dragons and ogres. Other than that one dwarven kingdom, there isn’t really much D&D specific in the setting, which works quite well for integrating it with the Precataclysmic Age.

The book looks great, being in full color and the background of the pages of each chapter is tinted in a different shade, which makes it quite pleasing to look at. The art is also quite nice, but most of the time I had the impression that the images were ordered before the book was written and then put onto various pages pretty much at random. Often I saw a picture of an interesting location and wanted to know what kind of place it is, but couldn’t find any description on that double page or the one before or after it that would match it even remotely. That’s rather week and disappointing. In the pdf for the Pathfinder version all the maps are really blurry and often almost unreadable, which is just bad and should not be happening. The big continent map is better, but I can’t really say I am a fan. Even though Thule is supposed to be this wild and savage land, the map is absolutely cluttered with markers for villages and ruins, the majority of which doesn’t even have a description in the book and is just a name. As a result Thule feels very overcrowded and not really wild and unexplored at all.

Which brings me to my main problem, which is the geography chapter. On the plus side, the amount of great and evocative ideas for various kinds of is very high. There is tonnes of stuff that made me really think I want to have an adventure set there. But the problem is that each of these places appear to have been written and existing almost in a complete vacuum. Nothing is ever connected or related to anything else on the continent at all. You could easily take any place in Thule and drop it into any space of the map you want to. You could even drop them into pretty much any other setting. There are plenty of factions with various interests, and many of them are pretty interesting ideas. But again their interests are entirely restricted to a single place, which quite often is not much more than a short paragraph or two. Combined with the overcrowded map it just doesn’t feel like a living world. Despite all the flavor it is still somewhat stale and lifeless. That’s often good enough for one-shot adventures and mini campaigns, but in that case you probably don’t want to read a 280 pages book on the setting.

My opinion of Primeval Thule is that it is a great source of ideas for Sword & Sorcery campaigns, and in that regards it is one of the most interesting settings I’ve read. But as a campaign setting it falls somewhat flat and I don’t see myself ever getting excited to actually run a campaign in it. For people interested in learning about various types of Sword & Sorcery settings, I really do recommend it. But I would not expect to find something that is as compelling to start a campaign with like Dark Sun or Spears of the Dawn.

Witches & Warlords B/X clone?

Right now I am seriously considering making my own B/X clone. Does the world need another one? Of course not. But the amount of work is trivially small (I had the idea yesterday evening and it’s almost complete by now) and I am mostly interested in it for my own personal use. Since I am doing the work anyway and I got most of the ideas from other peoples B/X variants, why not put it all in order and make it available for free?

Source
Source

I am normally not a fan of D&D at all. I think AD&D is the most terribly designed and messily written RPG I’ve ever seen getting any widespread response, and while the d20 system of 3rd edition cleaned up the mess and straightened out the math, it actually made the rules even more needlessly complex and overdesigned. (Took me over 10 years as a GM to come to that realization, though.) But Basic really does have a very nice charm that just doesn’t stop calling to me. It’s very small, very simple, and mostly works very well, and it also has huge numbers of fans active in creating and sharing their own variants and content. There are only two things in B/X which I really don’t like, which are the mindbogglingly insane rules to calculate a hit and the magic system. Fixing attack rolls and Armor Class is easily done. (So easily I can’t understand why it took 25 years to chance it!), which leaves only the magic system.

Magic in D&D is a classic case of what I consider disassociated mechanics. Spell plots and spell preparation are game mechanics that exist only as mechanics without actually representing anything in the fictional world of the game. The books occasionally try to somehow come up with an explanation why it works that way in this specific kind of fantasy world, but it never really feels truly belivable to me. And it’s a major obstacle that keeps D&D from being a generic system for campaigns set in any average fantasy world. Being very pleased with the attempts done by Spears of the Dawn in this regard, I checked out Stars Without Number (a B/X sci-fi game), from which it takes most of its rules. It looks really great and with a few tweaks would be what I’d use to run Star Wars or Mass Effect, and it’s also free. The magic system of SWN is actually a completely different one and seems to be based on the psionics rules from the D&D 3rd edition Expanded Psionic Handbook, which is my favorite magic system ever written. But the XPH rules are a bit too complex compared to the simplicity of B/X games and what Crawford did to make it simpler seems really very good. Add to that a number of ideas from Lamentations of the Flame Princess and the bestiary from Basic Fantasy and there is already something really nice looking taking shape.

The main goal is to provide a rules system that works well with the Ancient Lands setting I’ve been working on for a while. Which in turn is greatly inspired by the stories of Robert Howard and Fritz Leiber, but also Kane by Wagner and The Witcher by Sapkowski. With additional influences from Dark Sun, Skyrim, and Dragon Age II. (And Star Wars, because everything is better with Star Wars!) Barbarians of Lemuria would be a good game of choice and it is a very nice game. But I have to admit that I really have a great appreciation for class based systems. Leveling up by distributing advancement points after every adventure isn’t really my preference. Sorry, BoL. Yes, there are already OSR games based on Sword & Sorcery, like Crypts & Things and Astonishing Swordsment & Sorcerers of Hyperborea. But AS&SH is still based on AD&D and Crypts & Things seems to be unavailable, and they both cost money! It’s not that they are very expensive, but when we’re all putting together our own packages of house rules, you want to have a quick peek at what others are doing and nab a variant system or mechanic here or there. And I am not going around spending even just 10€ every two week to flip through a pdf in 20 minutes and decide that there isn’t anything interesting for me in it. That would add up very quickly. (And to be frank, while AS&SH is the tidiest version of AD&D I’ve ever seen, it doesn’t really make any changes to make it more of a Sword & Sorcery game.)

And so that’s why I am going to make my own B/X variant.

benderWith owlbears and spriggans!